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Boing BoingFriday tunes: "Chola Maati Ke Ram," from the Peepli Live soundtrackI drove south last weekend to a predominantly Indian suburb of Los Angeles to catch Peepli Live (Wikipedia) at a movie theater that plays only films from India. Its was terrific, a poignant and LOL-filled commentary on the state of Indian news media, and the injustice and tragedy that rural communities face. Unsurprisingly, the soundtrack was full of great tunes. My favorite was the song embeded above, "Chola Maati Ke Ram," performed live here by Nageen Tanvir at a launch event for the film. The lyrics of this song are about human mortality. Loosely and imperfectly: Time spares no one... death spares no one... our bodies are clay robes that will eventually disintegrate, so it is best to dedicate our lives to honoring Lord Ram, and all that is eternal.
Incidentally: Today, Kamla Bhatt will be interviewing the Indo-fusion rock band Indian Ocean, who performed several songs in the Peepli Live Soundtrack, at 12.30 pm PST on Stanford radio station KZSU. Listen online here. Categories: Entertainment
Hai KarateCategories: Entertainment
How to make Sriracha "rooster" hot sauce at homeWell, I know what I'm doing this weekend: here's a recipe for how to make sriracha hot sauce, the ubiquitous Asian restaurant condiment in that clear plastic bottle with the little white rooster on the side. (via Farhad)
Categories: Entertainment
The physics of breaking stuff with your fistsiO9 recently ran a story on how martial artists are able to break boards and cement blocks, using their hands rather than mystical powers. I thought it was pretty neat, but then I read an interesting counter-analysis by science journalist (and, significantly, martial arts practitioner) John Rennie. iO9 is right about the lack of magic powers, he says. But they got the physics wrong. Key slip-up: Assuming martial artists strike like a cobra—fast punch, with a quick pull back at the end—when they have their smashing fun times. iO9's theory was that that movement caused the boards to bend and snap. But that's not how it works, Rennie says. In fact, martial artists are taught to follow through with their punches, aiming not at the board-to-be-broken, but at a point beyond it. So how's the breaking really done? Rennie quotes an episode of the awesome old PBS show Newton's Apple: One key to understanding brick breaking is a basic principle of motion: The more momentum an object has, the more force it can generate. When it hit the brick, [karateka Ron] McNair's hand had reached a speed of 11 meters per second (24 miles per hour). At this speed, his hand exerted a whopping force of 3,000 Newton's -or 675 pounds-on the concrete. A slab of concrete could likely support the weight of a few people weighing a total of 675 pounds (306 kilograms). But apply that amount of force concentrated into an area as small as a fist and the concrete slab will break. The fact that martial artists also pick their materials very carefully doesn't hurt, either. When breaking wooden boards, you use pine (not oak, not mahogany) that isn't marred by dense knots, cut ¾ inch thick and about 12 inches on the diagonal; you hit them to break along the wood's natural grain. (It's not playing by Hoyle but some breakers have been known to bake their boards in ovens before demonstrations to make them more brittle.) One good board, if held securely so that it won't move on impact, is so easy to break that even those with no training at all can be taught to do it in under five minutes. P.S.: Rennie's blog, The Gleaming Retort, is part of a new family of science blogs, hosted by the Public Library of Science—a non-profit that publishes open-access science journals. I highly recommend checking out the entire PLoS Blogosphere. Categories: Entertainment
The Wilderness Downtown: Chrome experiment by Chris Milk and Arcade FireThe Wilderness Downtown is perhaps the best browser-dominating Net art piece I've experienced since Jodi.org's best work more than a decade ago. An experimental, interactive film by Chris Milk, it's a tour-de-force for the Chrome browser and a lovely visual poem to accompany Arcade Fire's excellent "We Used To Wait" from their album The Suburbs. I won't give the "story" away, but I found it to be a deeply personal and moving experience. Choreographed windows, interactive flocking, custom rendered maps, real-time compositing, procedural drawing, 3D canvas rendering... this Chrome Experiment has them all. "The Wilderness Downtown" is an interactive interpretation of Arcade Fire's song "We Used To Wait" and was built entirely with the latest open web technologies, including HTML5 video, audio, and canvas. The Wildreness Downtown (Thanks, Jean Hagan!) "Behind the Work: Arcade Fire 'The Wilderness Downtown'" (Creativity Online) Categories: Entertainment
Crystal Jellybean Skull only $6 in Boing Boing BazaarWho in their right mind wouldn't want a Crystal Jellybean Skull for only six dollars? Get yours now in the Boing Boing Bazaar. Categories: Entertainment
HOWTO: Tiny BBQ out of Altoids Sours tinInstructables.com contributor vmspionage built a tiny BBQ grill out of an Altoids Sours tin and computer fan grates. My 4-year-old (and I) would love this for making s'mores, one bubbling, tooth-decaying marshmallow at a time. Altoids Sours BBQ Grill Categories: Entertainment
SPECIAL FEATURE: Makoto Aida's SchoolgirlsJapanese Schoolgirl Confidential: How Teenage Girls Made a Nation Cool, by Brian Ashcraft and Shoko Ueda, looks at how this archetype has become such a distinctive international symbol. Following is an excerpt, about the artwork of Makoto Aida, from the book. — Rob Categories: Entertainment
Boneless, clubfooted French Connection model invades MelbourneAs seen tonight in the casino across from the Melbourne Convention Centre: a boneless, clubfooted French Connection model. Club-footed rubber-band woman visits us from the French Connection dimension, Melbourne, Australia
Categories: Entertainment
Homeroom Security: book about the insanity of zero-tolerance classroom policiesSalon's got a blood-boiling interview with Aaron Kupchik, author of Homeroom Security: School Discipline in an Age of Fear, a close look at four very different US schools. Each school has a different demographic and different location, but the thing they all share is a set of zero-tolerance policies that turn them into Kafka-esque nightmares:
They started in the '90s, and they were spurred by the federal government's Safe and Drug Free Schools Act, which required schools to implement zero tolerance for certain things like weapons. What schools have done across the country in the last 15 years is to expand greatly what falls under zero-tolerance policies. So they extend to not just deadly weapons and drugs but sometimes fighting and prescription drugs and other types of substances. What they mean is that if you're caught violating this broad rule, there's no discussion and no elaboration of why you did this. No investigation. We just punish you with the one-size-fits-all punishment.
We're teaching kids what it means to be a citizen in our country. And what I fear we're doing is teaching them that what it means to be an American is that you accept authority without question and that you have absolutely no rights to question punishment. It's very Big Brother-ish in a way. Kids are being taught that you should expect to be drug tested if you want to participate in an organization, that walking past a police officer every day and being constantly under the gaze of a security camera is normal. And my concern is that these children are going to grow up and be less critical and thoughtful of these sorts of mechanisms. And so the types of political discussions we have now, like for example, whether or not wiretapping is OK, these might not happen in 10 years. America's real school-safety problem Homeroom Security: School Discipline in an Age of Fear (Thanks, Pete_Darby, via Submitterator!) Categories: Entertainment
Heavily stapled phone-poleBehold, the glory of a thoroughly enstapleified telephone pole, snapped last week in Toronto. Categories: Entertainment
Typewriter key jewelryEtsy seller Buster and Boo does a nice line in vintage, moderately priced jewelry and decorative art made from vintage typewriter keys from the 1920s and 1930s.
Categories: Entertainment
Hurricane Earl IVXeni posted a great NASA image of the 2010 Hurricane Earl earlier this afternoon, which got me hunting around for some information on Hurricane Earls past. After all, this is not the first Earl. There've been three others, as well as some lesser Tropical Storms of the same name. The naming lists for these things are used again every seven years, and individual names are only retired after they've been attached to a particularly damaging storm. Earl, so far, has not. When the names do get retired, replacing them isn't easy. According to Time magazine, there's a whole list of types of names that aren't allowed. Over the years, the meteorologists in charge of naming have resorted to flipping through the weirder end of baby name books and adding friends' names to the list. Time: How are hurricanes and tropical storms named? Above: Hurricanes Earl and Danielle in their 1998 incarnations. Categories: Entertainment
Another oil rig explosion, and the science of dispersantsAnother oil rig in the Gulf of Mexico exploded today. All crew members survived. Right now, nobody knows whether or not the explosion caused a leak in any of the seven wells that the rig collects from. There have been reports of an oil slick on the water near the fire, but that could just as easily be from the finite amount of oil stored on the rig—which would still a spill, but a significantly less problematic one. Other than that, there's not really much information out about this right now. If anybody's learned anything from Deepwater Horizon it seems to be that you're better off, PR-wise, if you don't have to correct everything you say two days later. To give you something to chew over in the meantime, though, Deep Sea News has been doing a really interesting series on the science (such as it is) of oil dispersants. It's interesting, not just because of the basic facts, but also because it gets into the details of why we don't know more. Dispersants must be applied successfully and have a high effectiveness once in ocean waters. This sounds easy, in principle--once you've perfected your Corexit formula in the lab, just spray it from a helicopter, and voila! Except there are a lot of factors which you also have to take into account: the composition of the oil spilled, sea energy, whether the oil has been subjected to weathering at all, exact type of dispersant used and the amount which you sprayed, and ocean temperature/salinity. Thank goodness for all those lab tests over the years which figured all this stuff out, you say. Um, well actually it seems like even designing simulation experiments is difficult, and different tests can report different effectiveness scores for the same dispersant. It is difficult to accurately scale up lab tests in order to predict dispersant action on real spills. Older studies used methods and analyses which have since been discredited. Wave-tank tests can probably provide upper limits on dispersant effectiveness, but there are SEVENTEEN (!!) critical factors that require strict control for accurate results (Fingas 2002). Field tests in open ecosystems are even worse for measuring the fate of oil and controlling variables. In terms of measuring dispersant effectiveness, tank tests, field tests, and lab tests all disagree. Awesome. Part 1: How effective are dispersants on real oil spills? Part 2: How toxic are dispersants? Part 3: Do dispersants really promote degradation of oil?
Image of a random oil rig: Some rights reserved by kenhodge13 Categories: Entertainment
Preschoolers being radio-taggedMary Robinette Kowal sez, "Preschoolers in Richmond, California are being handed RFID jerseys when they get to school. The ACLU points out that in addition to the privacy concerns, these are not secure tags. It has the potential to make kidnapping and stalking very easy."
The editors of Scientific American said it well back in May 2005: "Tagging ... kids becomes a form of indoctrination into an emerging surveillance society that young minds should be learning to question."
Don't Let Schools Chip Your Kids
(Thanks, Mary, via Submitterator!)
Categories: Entertainment
Cartoonist Pete Emslie posing with Julie Newmar
I can't stop looking at this photo of talented cartoonist Pete Emslie posing with my favorite Catwoman, the beautiful Julie Newmar.
Categories: Entertainment
My Name is (Hurricane) EarlHow astronauts see Hurricane Earl. This image acquired by NASA two days ago: The relatively placid view from the International Space Station belied the potent forces at work in Hurricane Earl as it hovered over the tropical Atlantic Ocean on August 30. With maximum sustained winds of 135 miles (215 kilometers) per hour, the storm was classified as a category 4 on the Saffir-Simpson hurricane scale as it passed north of the Virgin Islands. Categories: Entertainment
Lowbrow Tarot DeckCurator and artist Aunia Kahn selected a group of 23 lowbrow/pop surrealist artists to interpret one card each of the Major Arcana of the Tarot deck. Hi-Fructose has a sneak preview of 14 of the cards, which will debut October 1 with a full show at Los Angeles's La Luz de Jesus Gallery, a book, and of course a deck of cards. Above left, card back by Daniel Martin Diaz; right, The Devil by Chet Zar The LowBrow Tarot Card Project preview (Hi-Fructose) UPDATE: You can see the entire show at the La Luz de Jesus site here. Categories: Entertainment
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